Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Portrait of a young girl,full length,holding a toy dog and a bunch of cherries,set beside a partly-draped red curtain

ID: 27543

unknow artist Portrait of a young girl,full length,holding a toy dog and a bunch of cherries,set beside a partly-draped red curtain
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unknow artist Portrait of a young girl,full length,holding a toy dog and a bunch of cherries,set beside a partly-draped red curtain


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unknow artist

  Related Paintings of unknow artist :. | Behind krigsutbrottet 1792 need France 450000 soldier | australier narmar sig forsiktigt en upptacktsresandes lager i odemarken | Harlech Castle | hippopotamus,flodhasten eller sjokon,som den ocksa kallades | Henry Wriothesely |
Related Artists:
WEYDEN, Goossen van der
Flemish painter (b. ca. 1465, Bruxelles, d. after 1538, Antwerpen)
David Young Cameron
British master of landscape and architectural views. Glasgow ,1865-1945 is a Scottish painter and etcher. He was trained at the Glasgow and Edinburgh Schools of Art in the 1880s. From 1887-1892 he was a member of the Royal Society of Painter-Etchers. It was during this time that he published a number of sets of etchings (such as "The Clyde Set", "The North Holland Set" and "The North Italian Set"). In general his prints feature areas of great darkness, offset by highlights. Cameron would later become known for his church interiors and barren landscapes of Scotland done in drypoint. The feathery lightness of these drypoints was in visual contrast with the rock and water of the subjects. He became highly sought after by collectors, until the Great Crash in 1929 brought a collapse in prices for prints in general. He exploited his popularity by producing an unprecedented number of states of his prints, and is believed to hold the record at twenty-eight states in one case. Cameron became a Royal Academician in 1920.
Suzanne Valadon
French Post-Impressionist Painter, 1865-1938 French painter and artist's model. She led a lonely childhood in Paris as the daughter of an unmarried and unaffectionate maid, seeking refuge from her bleak circumstances by living in a dream world. While residing in the Montmartre district of Paris, she became an artist's model, working in particular with those painters who frequented the Lapin Agile. From 1880 to 1887, for example, she sat regularly for Pierre Puvis de Chavannes, posing for both the male and female figures in the Sacred Wood (1884-6; Lyon, Mus. B.-A.). She also modelled for Renoir, Luigi Zandomeneghi, Th?ophile Steinlein, Jean-Louis Forain, Giuseppe De Nittis and Jean-Jacques Henner. No longer able to tolerate the passive role of the model,






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